The thought popped out at me as I read an interview of Jonathan Solomon, who has authored (along with fellow architects Clara Wong and Adam Frampton) what appears to be a fascinating book called Cities Without Ground on alternate networks and spaces in Hong Kong. In the interview, Solomon talks about how the impracticality of trying to impose solutions in other contexts. He says, “Paul Zimmerman (HK district councillor and urban design activist) and I disagree vehemently about this — his position is that all the footbridges are more or less bad and that Hong Kong should act more like a Dutch city. We need to make safer, healthier streets for pedestrians. Pedestrianizing Queen’s Road makes a lot of sense. But there’s a lot of wishful thinking involved thinking that Hong Kong will suddenly turn into Linden or Delft.”
To me, that sort of summed up a lot of how urban designers and planners function. Delhi, where most of my work is based, is also unique in the layers of history and social complexity. While we admire experiments in other cities globally, we find it challenging to replicate best practices in the context of Delhi because of its unique structure and settlement typologies. Furthermore, the urban poor in Delhi have incrementally built highly dense settlements that require context specific solutions to enhance quality of life. To offer those, we need to deeply understand how this density works or doesn’t, it’s networks, how spaces inter-relate and a whole lot more. To assume that Delhi must become a Shanghai or a Singapore, or even Curitiba or Medellin is obviously naive.
I am piqued by the graphic approach Solomon’s book takes. Could we use advanced graphics software and innovative observation to first understand and then re-imagine Delhi’s dense informal spaces?
Stolen moments of pleasure are always special. But often times, when you suddenly find yourself at a loose end with time on your hands, when a meeting gets over too soon for example, it’s hard to figure out what to do. I rack my brains to think of all the stuff I always want to do but never seem to have time for, and nothing comes to mind.
Well, today the cylinders inside my brain fired up at the right time when I realized I was done early at college and my car wouldn’t pick me up for another hour at least. I walked briskly to the other side of the road and caught the first auto to Mandi House. This was a nostalgia trip for sure, for Mandi House was where we went whenever we had a free afternoon, back in the days when we studied architecture in SPA. A sort of culture hub, we were always sure to be able to see a few art exhibitions and would end up catching a play or music performance at one of the 5 or so auditoriums there.
This afternoon, I headed first for the Triveni Kala Sangam. This was always our favorite among the Mandi House venues because it is a Joseph Allen Stein building, beautiful, always serene and quiet. As usual, most galleries were open and walking through the art, both paintings and sculpture, was pleasurable indeed. ‘Polemics of a Soul Catcher’, an exhibition of very large paintings, oil on canvas, by Satish Sharma offered a commentary of the place of modern man, his moral dilemmas, his new increasingly urban environment..thought provoking. A group art show in the open air court offered a variety of techniques and themes and the sculpture court was also full of interesting works.
I had but a short time left, but I still tried to dash across to the Lalit Kala Akademi building, where again I know there always is something worth looking at.This ws quite a job with all the construction happening in this area. Thankfully, there were marshalls who were actually stopping cars so pedestrians could cross! I don’t come here often, but since I was a pedestrian today I noticed just how much the vehicular traffic has increased by in Lutyen’s Delhi. It completely destroys the charm, the constant whirring of cars with impatient drivers who don’t really want to wait for the pedestrians to cross! And this is the only walkable part of the city!
I had only about fifteen minutes at Lalit Kala Akademi. The building, Rabindra Bhawan, hosts important cultural institutions for literature, fine arts and performing arts and is an iconic building designed by Habib Rehman, one of many public buildings he designed in the ’50s and ’60s. The art gallery here has been renovated and I was entering the renovated space for the first time. Rather nice and uncluttered. The exhibition, and I cannot remember the name of the show or the artists, was an exploration of abstraction using new media. I quite liked some of the works, especially those depicting nature and human form.
An hour or so well spent, in my own company, soaking in art, the city and its spaces….